Experiments with flash

G was ill yesterday so I slept on the sofa, which didn’t go well. I drove the children to school this morning, had some porridge, then fell asleep for an hour.

I still felt tired so I thought I’d venture out. I drove to Kedington church and took some photos there. This time my challenge was to use only flashes for lighting, and no tripod. I put both camera and flash in manual mode and worked like that for the afternoon. Sometimes the flash worked well: it brought a light subject out from its background, and improved the quality of pictures of a dark subject in dark areas. Where I struggled was with monuments against the wall, often high up, with their sculpted figures in alcoves. This was a horrendous challenge.

If you placed the flashes to the side then you didn’t light up the full figure: the light just glanced their side, but of course a flash straight on leads to a flat image and drop shadows in the alcove. Then, if the monument is higher up, you can add the distortion from perspective and the ugly lighting from below because I can’t get the flashes to the same height. I did try putting one on the end of a trip and holding it up but still got horrible shadows. There was nowhere to bounce the flash off because there were only dark pillars leading up to a dark, cavernous ceiling.

In the evening I experimented with ways to soften a flash that didn’t involve bouncing it from a wall or ceiling, or buying more gear. Bouncing from a light reflector worked well, or shining through it if you took the reflective cover off and used it as a diffuser. I’d probably have to hold the reflector manually, though, which means putting the camera on a tripod and on self-timer.

The flash let me isolate the subject from its background
This figure is virtually in the dark and the flash meant I got a lot more detail than just by using a tripod
Two flashes allowed me to get more colour and detail, at the cost of the dark shadows behind. I could have softened the shadows in post-processing but I quite liked the contrast.
A monument high up on a gloomy wall, lit by two flashes. I’ve softened the shadows slightly in post-processing. It’s such a lovely sculpture. It’s like they’re in a theatre box looking out into the world, but touching each other in death, as if death has brought them closer together rather than separated them. It’s strange the imagery is not religious: off at the sides are flowers and fruits and not Death and Time and angels. Behind them are curtains like in a theatre box and I think secular cherubs, like you might see in a theatre. It’s a shame I couldn’t have got to the same height or lit them from above. Still, given the circumstances, I’m quite pleased with the picture.
View towards the altar with my 40mm lens.
The view to the west. The sunlight through the windows was intense, so I created an HDR image from different exposures. It’s not a great solution, though, since all the pictures lacked colour information and detail.
A carving of a mermaid. Again, intense light from the windows meant I thought this photo was ruined, but I was amazed how much I could rescue in post-processing.